The poem is called "Freedom Isn't Free and Neither Are We." Big thanks to Roderick Bates for including it. Check it out and then read through all the inspiring work in the "Such an Ugly Time" collection...there are so many insightful works about resistance and the need for change in America during the first 100 days of the new presidency.
I am thrilled to have been named a finalist in The Tishman Review's 2016 Edna St. Vincent Millay Poetry Prize...and to also have the chance to contribute to the new issue with my first published "Golden Shovel" poem.
My poems (and whole review) can be read online in the TTR 3.1 issue.
In order to get to any level of success in writing, let alone famous, I believe you have to submit your work consistently.
I know that I should spend more time submitting my finished work, especially poems. But between the day job, daily life activities, and actually writing, I often feel like I'm too busy or preoccupied to submit my work to journals and contests.
That’s why I need to spend some time studying Robert Lee Brewer’s collection of “Poetry Submission Tips from Other Poets.” I’m sure I can steal at least one tidbit of advice from the poetry pros who contributed to this article…and upgrade my poetry submission routine in 2017.
Do you want to develop into a better writer in this relatively new year? You're not alone. That is definitely one of my goals as well. This article from the Grammarly Blog titled “11 Experts on How to Write Better in 2017” looks to eleven famous writers and editors for advice on how to write better this year. It is worth the read…if you‘re able to implement even one of these tips in your writing practice, I’m almost certain you will improve your craft this year.
I don’t have a published book (yet), but I do have manuscripts that were finalists in contests. So my inner optimist does daydream about a rosier future where I have one or more books coming out. Music is a key theme in much of my fiction & poetry, so I often wonder about whether there are established rules about quoting song lyrics.
It appears this is a sticky issue and that I may want to avoid quoting lyrics in future work if it’s intended to be part of a manuscript. It might just be better to reference a song title. That's sort of a bummer, but it’s just another constraint that as a writer I probably need to navigate around.
Are you a writer seeking a new audience or simply searching for a new venue to submit your work? Or a reader who would like to find an online magazine that publishes high quality work? If so, I have a great resource for you.
From Bookfox: “30 Small But Awesome Online Literary Magazines.” This article by Maia Russell has some of the best online literary magazines listed below are currently taking submissions, will compensate their writers and have ongoing writing contests.
Personally, I plan on bookmarking this page and reviewing all of these journals to assess whether my writing might be a good fit.
It’s a new year and you might be a little nervous about the long winter road that lies ahead. As a writer, what lofty goals and positive habits should you strive towards in 2017?
Fear not. This post from Without Bullshit, “10 easy New Year’s resolutions for writers in 2017,” has some practical ideas on what you can do to improve your writing craft and gain success this year. I personally plan to focus on #2 and #4.
From Lit Reactor: Annie Neugebauer presents both sides of the equation in “9 Questions Writers Love to be Asked” and “9 Questions Writers Hate to be Asked.” I agree with many of her points, though because I’m not a full-time writer, some I can only relate to partially. Nonetheless, both articles are a great read.
The winner was an amazing poem by Ms. Allison Joseph.
An awesome introduction if you’re new to the practice of submitting to literary magazines: Lincoln Michel’s “Lit Mag Submissions 101: How, When, and Where to Send Your Work.”
I may need some of these to help me through my latest bout of writer’s block.
“Remember that writing is not typing…Typing is this little transaction in the middle of two vast thoughtful processes.”
Definitely worth the read.
If you really look at it, the only distinction between free verse and a prose poem are line breaks. Yet I often read poems where the line breaks don’t do anything that the syntax of the sentence doesn’t already do on its own. Maybe this is just my pet peeve, but I own it and feel the need to talk about it.
Readers hesitate at commas,
and stop briefly at periods.
They’ll even pause when a phrase finishes
before moving on to the next.
So if the line breaks just echo the pauses and stops already inherent in the text, what’s really the point of writing a poem instead of prose?
When it comes time to revise, I challenge myself to think about the line breaks. Sure, some breaks just come together with the ends of phrases and sentences and effectively reinforce those stopping points. But I also consider how line breaks can offer a counterpoint to my syntax, creating tension between the rhythm of my sentences and the rhythm of my lines.
I’ve been working on this personally, and I think it might be a path to better poetry.
Subprimal Poetry Art was founded in 2013 to provide a community for quality thought provoking poetry and other art.
Big thanks to Subprimal Poetry Art for featuring my prose poem “Sanctuary” (with audio!) in their Issue 7.